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When you play a Knabe, you will sense the difference. Each handmade Knabe has its own personality. They are tonally consistent and durable, but they lack the "soul" of a handcrafted instrument. Production pianos have their place in the world of music.
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Knabe pianos are handmade, limited production pianos created in the finest tradition of over 300 years of piano crafting. SMC is proud to continue the manufacturing and production of these fine works of art, known throughout the world for their beauty of sound and cabinetry. Today, the Knabe is the premium piano for Samick Music Corporation, one of the world's largest musical instrument manufacturers. Through the years, Knabe has been a part of such establishments as the American Piano Company, Aeolian Corporation, and Mason Hamlin. Rudolf Bing, Director of NY Metropolitan Opera, 1950 to 1972. “Experience has proven that we can always depend on Knabe.” A Knabe grand piano was played by some of the great artists of that celebrated organization, including Rosa Ponselle, a mainstay at the New York Metropolitan Opera and one of the greatest sopranos of the past 100 years. In 1926, Knabe recorded history once again, as it was chosen to be the official piano of the New York Metropolitan Opera. Knabe sponsored Tchaikovsky’s appearance as guest conductor for the opening engagement and featured a grand piano that historic night as Tchaikovsky ushered in the evening’s concert and led the New York Music Society's orchestra in Was the guest of honor for the official opening of Carnegie Hall in 1891. Peter Ilyich Tchaikovsky, the world’s greatest composer of his time, In the later decades of the 19th century, Knabe grew to be one of the most respected pianos and very popular among consumers and professionals alike. With the outbreak of the Civil War and the resulting decline of the Southern market, the company managed to keep afloat by expanding their markets into the growing American west. The company was left in the stable hands of sons William and Ernest upon the death of William Knabe in 1864. The piano was used by Key until his death in 1843 and currently resides in the Peabody Hotel in Memphis, TN.
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The detail of these lavish, hand-carved pianos extended around all four sides of the rosewood case and down its massive legs, while the keys were surfaced with expensive mother-of-pearl. Knabe & Gaehle became a part of American history when in 1838, Francis Scott Key, composer of “ The Star-Spangled Banner,” commissioned the company to custom-build a square grand piano for his home. Knabe & Gaehle built high-quality grands, uprights, and squares at a small factory in Baltimore and managed to compete with other larger, more established American manufacturers. Knabe partnered with Henry Gaehle to form the piano company Knabe & Gaehle, the genesis of Knabe’s storied history. In 1835, William formed his own business of buying, selling and repairing used pianos from inside his home. After immigrating to the United States and settling in Baltimore, Maryland, Knabe began working under Henry Hartye, a well-known piano maker. Knabe learned the art of cabinet and piano making through apprenticeships, dedication and hard work. Knabe’s rich history began more than 200 years ago when Wilhelm (William) Knabe was born in Kreuzburg, Germany in 1803. By networking on the job, at churches, and at penny savers clubs, they found ways to transform their unending servitude into an employer-employee relationship?gaining a new independence that could only be experienced by living outside of. These women describe how they encountered?but never accepted?the master-servant relationship, and recount their struggles to change their status from ?live in? servants to daily paid workers who ?lived out.?With candor and passion, the women interviewed tell of leaving their families and adjusting to city life ?up North,? of being placed as live-in servants, and of the frustrations and indignities they endured as domestics. In Living In, Living Out Elizabeth Clark-Lewis narrates the personal experiences of eighty-one women who worked for wealthy white families. This oral history portrays the lives of African American women who migrated from the rural South to work as domestic servants in Washington, DC in the early decades of the twentieth century.
#MASON HAMLIN SYMMETRIC GRAND 1940 DOWNLOAD#
Read Online and Download Living In, Living Out: African American Domestics in Washington, D.C., 1910-1940.